By describing the Russian in this manner, the imagery created by Conrad is that of a grateful young child. Much like a child, the Russian also seems wiser in this moment than before, as he is no longer seemingly conflicted or comical and instead more of an intellectual, now that circumstances have “enlarged [his] mind” (97). There are apparent parallels between his body language and his eyes – his arms all encompassing and his eyes like miniature versions of the earth, home to all these men know. With this scene, the Russian ceases to be a form of comic relief and instead becomes a significant character as his opinions now seem educated and logical, as opposed to immature and improbable.
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